Sunday, September 10, 2017

Carpool Karaoke: The Series Just Released A Very Game Of Thrones-Inspired Intro Clip! Watch!!

This is fun!!

Carpool Karaoke: The Series is Apple Music‘s new little project spun off from

The timing of the teaser makes sense — see, both Maisie Williams and Sophie Turner from GoT will be featured on Tuesday’s upcoming episode of Carpool Karaoke, so it’s perfect that the show rips off GoT‘s intro for a spoof of their own!

Ch-ch-check it all out (above)!!!

What do U think, Perezcious readers?! Is that fun, or what??

Don’t forget to tune in through Apple Music on Tuesday to see Maisie and Sophie do their thing — and you can follow it with a second episode of Carpool Karaoke featuring Ariana Grande and Seth MacFarlane, too!

Fun!!

Read more: http://perezhilton.com/

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There’s A Lot Of Evidence Taylor Swift’s New Song Is About ‘Game Of Thrones’

Okay so sure, we all probably know that Taylor Swift’s new very bad song “Look What You Made Me Do” is (in my opinion) obviously about Kim, Kanye, Katy Perry, Calvin Harris, The Barista Who Got Her Drink Order Wrong, and everyone else who pissed her off in 2017, but there are several clues throughout the track that actually pointed to someone else: Arya Stark. fans are used to tying together vague clues and foreshadowing, so it took less than -.5 seconds for Twitter to see the connection between Swift’s new lyrics and the life and times of the Stark family’s most fucked up ninja. Don’t believe me? Here’s a breakdown:

Remember the time those actors in Braavos put on a play about the War Of Five Kings where they portrayed Ned Stark as a huge dumbass?

Well then look at this:

Okay, so that isn’t like, exactly her life, but then you look at this line:

Umm…Cersei much? Or, after the last episode, maybe a veiled threat at Sansa? Unclear. Then there is this line which is CLEARLY about The Red Wedding:

Wow. Didn’t realize Taylor also had beef with Walden Frey. Interesting.

Of course, there’s one line in particular that got fans screaming “A GIRL HAS NO NEW SINGLE!!” as soon as they heard it:

Okay. So that is definitely about Arya Stark’s famous list of people who she’s going to kill. Right!?! And obviously has us all speculating—does T Swizzle have a kill list? If so, who is on it? Kimye, obviously. Then, depending on whether or not they actually make up at the VMAS, Katy Perry. Then…Calvin? Harry Styles? Jake Gyllenhaal? THE HOUND?!?

Oh, and let’s not forget the whole “The old Taylor is dead” motif throughout the lyric video. Is this a nod to Taylor’s recent training as a Faceless Man? Was she being carried out of her apartment because she was on some kind of a Faceless Man mission? Is that why she was MIA all year? It’s all coming together.

I mean, probs not, but I think we can all agree on one thing: this theory is a fuckload more interesting than this song. 

Read more: http://www.betches.com/

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Saturday, September 9, 2017

33 Memes To Get You Through A Weekend Without Game Of Thrones

We may not have a new episode, but we have some DAMN good memes. 

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Read more: http://failblog.cheezburger.com

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Thursday, September 7, 2017

‘Game of Thrones’ just gave us the awkward sex scene we’ve been waiting for

Warning: This article contains spoilers for the Game of Thrones season 7 finale, “The Dragon and the Wolf.”

Before departing Westeros in “The Queen’s Justice,” the red priestess Melisandre told Varys that she had done her part and “brought ice and fire together.” She may have only meant that she successfully coordinated a meeting between Daenerys Targaryen and Jon Snow, but by the end of Game of Thrones season 7, it worked out better than she could’ve ever imagined. (Unless she saw it in the flames, of course.)

After several episodes of buildup—or several years for readers who’ve wanted or expected it despite the characters having yet to meet in A Song of Ice and Fire—Jon and Dany hooked up, bringing one of Game of Thrones’ few actual romances to fruition.

After getting Cersei’s word that she would send soldiers to fight the Night King and his army, Jon and Dany boarded a ship to head north to White Harbor before taking the Kingsroad to Winterfell.

The moment wasn’t the most important of the night—the destruction of the Wall by the Night King and Viserion claims that accolade. But fans will likely dissect it for months to come as they wait for the eighth and final season of Game of Thrones, tentatively slated to arrive in 2018 or 2019.

Is it love, lust, the groundworks for a political marriage, or a combination of the three? And what will happen when the incestuous elephant in the room is finally addressed?

The show (and the books) were always going to go there

In the aftermath of Jon and Dany’s hookup, some fans may argue that their pairing is too predictable or too cliché in a story known for subverting high fantasy tropes. But you can’t necessarily argue that it came out of nowhere.

“Beyond the Wall” director Alan Taylor revealed in interviews last week that George R.R. Martin told him back during the production of Game of Thrones’ first season that “Jon and Dany were sort of the point of the series.” Speaking to the Daily Beast, he pointed to their chemistry and the smaller moments used to build that relationship and added that “there’s no secret that this is where this is going.”

Although fans certainly know that now, it would’ve been a big shock to many fans who’ve become enamored with the rich and complex story involving hundreds of characters. Daenerys Targaryen has always been a queen and the Mother of Dragons with a continuously expanding list of titles. Jon Snow, on the other hand, started out as Ned Stark’s bastard son and rose up to become Lord Commander of the Night’s Watch and King in the North who’s actually the rightful heir to the Iron Throne.

Long before they met, Jon and Dany’s journeys have often run parallel, even though their circumstances and positions of power differed. They were both reborn from fire, they lost their first great love, and they rose as the chosen ruler of their people despite the many, many people who would rather see them dead. Some of these parallels are used to argue that Jon, Daenerys, or both of them are the Prince That Was Promised, the prophesied savior of Westeros. Melisandre clearly saw both of them being important for the great war to come.

The clearest piece of evidence for Jon and Dany coming together, however, comes from Dany’s visions in the House of the Undying in A Clash of Kings, which is also shown (but not as extensively) in Game of Thrones’ second season.

At one point, Dany—like she does in the show—sees the Wall while she is told of prophecies.

“A blue flower grew from a chink in a wall of ice, and filled the air with sweetness…. mother of dragons, bride of fire …

Throughout ASOIAF, blue flowers are often a reference to Jon’s mother, Lyanna Stark, who received a crown of blue roses from Rhaegar Targaryen at the Tourney at Harrenhal. We haven’t seen as many blue flowers on Game of Thrones, but Petyr Baelish does reference “the crown of winter roses in Lyanna’s lap” in his telling of the tourney to Sansa Stark in season 5.

But with the flower growing in the Wall, fans interpreted it to reference Jon himself. And some took the other imagery from the passage—“filled the air with sweetness” shortly before she’s called a “bride of fire”—to allude to an eventual romance between the two.

Another passage from the House of the Undying stated that “three fires must you light … one for life and one for death and one to love …” and suggested that Jon could be the fire Dany will light for love—a possible reference to his identity as the Prince That Was Promised. He may, as some believed, also be the mount Dany rides “for love”; the other two rides listed were “to bed” and “to dread.”

The incest factor

“The Dragon and the Wolf” also cemented, as Bran Stark and Samwell Tarly put the pieces together, what many astute book and show fans have partially known for an entire season and learned in full a couple weeks ago. Jon Snow—whose true name is Aegon Targaryen—is the legitimate son of Rhaegar Targaryen and Lyanna Stark, who married in secret before Rhaegar’s death and Jon’s birth. Not only does that make Jon the rightful heir to the Iron Throne, but it also makes him Dany’s nephew. (Rhaegar was her older brother.)

In true Game of Thrones fashion, it finally gave fans something they wanted, while making it uncomfortably complicated: Jon and Dany’s relationship is incest, revealed with Bran’s vision and a voiceover cut with Jon and Daenerys in the throes of passion.

Neither Jon and Dany know this, so for now it was a one-time case of accidental incest. Plus, any union between two political players can be a fragile one—although Jon and Dany’s bond is probably stronger than most after she flew out to rescue him beyond the Wall. But sex always complicates things, and what will happen when Jon and Dany arrive in Winterfell?

There’s a lot at stake. Will the Northern lords accept Dany, whether as Jon’s queen or his wife (or both)? How will Sansa react to Jon basically doing what Littlefinger had suggested? And who will tell Jon the triple whammy of his parentage, his legitimacy, and the issue with his new relationship? Fans have presumed for some time that the incest factor probably wouldn’t bother Dany all that much considering her family history, but a northerner like Jon could have a much harder time coming to terms with it.

And on top of all of those personal burdens, the fate of Westeros still rests on his and Dany’s shoulders.

Read more: http://www.dailydot.com/

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‘Game of Thrones’ Season 7 finale recap: Death, betrayal and fire close the penultimate season

‘Game of Thrones’ finale raced while ‘Twin Peaks’ crawls

(CNN)In the Monday-morning quarterbacking that followed the “Game of Thrones” finale, a frequent criticism has been that the seventh season moved too fast as it sped toward revealing Jon Snow’s lineage and paving the way for the conclusive battles to come.

Obviously, that isn’t necessarily an either-or proposition, and there are plenty of first-rate shows — “Better Call Saul” comes to mind — that benefit from spooning out story at a slow but steady clip.
Nevertheless, in an age with so many options and so much ambitious serialized storytelling, there’s a fine line between creating mood and atmosphere and simply wasting the audience’s time.
    “Twin Peaks” will conclude with a two-part finale on September 3, wrapping up a season that can be viewed as a disappointment on multiple levels. After the hoopla that surrounded its start, the linear audience per week has slid below 500,000 viewers, a pittance even by pay-TV standards.
    Much of that surely has to do with director David Lynch’s filmmaking style, which has reinforced his reputation as an auteur but risked slipping into self-indulgence at best, and self-parody at worst.
    Showtime basically gave Lynch and co-creator Mark Frost a carte blanche to make exactly the program they wanted to do. The avant-garde director responded with a series that has teased out about six hours worth of story into something three times that long.
    Indeed, letting the show drag on — and on and on — nearly derailed it. Showtime originally contracted for nine episodes, only to see the number double after Lynch shot the project as one long movie, breaking it up into weekly chapters for TV.
    While that’s clearly a way to signal Lynch’s creative freedom, it’s a dicey prescription for producing a coherent television show.
    “Game of Thrones,” by contrast, has accelerated its pace since moving beyond George R.R. Martin’s books, and one can second-guess whether wrapping it up in two truncated seasons — totaling 13 episodes, instead of the usual 10 episodes per year — might have been too ambitious.

    Tapestry charts ‘Game of Thrones’ key scenes

    The result, however, has been more bracing than anything else. And if travel times around Westeros have been expedited, the rewards have included disgorging more secrets about Jon Snow’s birthright and the Targaryen dynasty, brilliant scenes involving the various Stark children, massive military showdowns and strategizing to claim the Iron Throne, and preparation for the great war with the army of the dead.
    As the New York Times’ James Poniewozik noted, there’s no one-size-fits-all formula for quality drama. “Twin Peaks” arrived at a moment when what’s been dubbed “surreality TV” is cresting, as snail’s-pace dramas like “Legion” and “American Gods” have garnered considerable praise from critics.
    By contrast, “Game of Thrones” has received more naysaying and nitpicking than usual since adopting its faster approach. The New Republic, for example, groused about how the series “just doesn’t have time for anyone who isn’t Jon, Daenerys, or the Night King anymore.”
    Yet by speeding up its storytelling, “Game of Thrones” has illustrated the value in operating like the viewer’s time is worth something. And while “Twin Peaks” could still possibly find a measure of redemption in its finish, more than anything Showtime’s revival has felt trapped in the 1990s — before it was quite as easy to tune out, fast forward or devote one’s attention to a second screen.
    “Twin Peaks: The Return” concludes with a two-part finale at 8 p.m. on Sept. 3.

    Read more: http://edition.cnn.com/

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